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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond in Leeds during 1977

The talented musician, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a classic of electronic music.

He subsequently formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his sleep at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a wheelchair, as he had for the last two years, following a spate of ill-health.

"I ended up injure myself quite a bit," he commented in a recent interview. "I broke spinal bones in my back and cracked about five ribs and broke my wrist."

Following contracting pneumonia and suffering from sepsis, he was placed in an medically-induced sleep and stayed in hospital for seven months.

However, he had been in "a great place emotionally" during the warmer months, as he worked on a new album with Almond, called Danceteria, which is set for release next year.

"He was focused and so happy with the latest project that we literally finished only a short time ago," stated the singer in a heartfelt message.
"It's so sad as 2026 was completely planned to be such an positive year for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense aspect of my existence and for the songs you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is distinct from joining a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who altered his given name from Paul to his adopted name, alongside his sibling his sister, who was also adopted.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The pair were an distinctive pairing: Ball was the quiet technician, hunched over his keyboard, while Almond was a charismatic performer, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had cultivated a interest with electronic instruments after watching Kraftwerk perform on a television science show a popular series, and began to marry dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling single of 1981, shifting millions of copies globally. Alongside hits by Gary Numan, Human League and electronic acts, it contributed to cleared the way for the electronic music style of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to afford my first home, having money and exploring, which makes me sound like a beauty queen," Ball recently shared with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of media interviews and television shows, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it works for so many bands."

Amidst the party-filled existence, the duo were also drifting apart, but they managed to produce a second classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a successful solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the Top 40 record Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they remained active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately described the duo's new album as a tribute to the New York club scene they frequented while recording their first two albums.

He noted that his period in hospital had shaped the band's sound.

"I had unusual memories when I was in and out of hospital because I was on pain medication," he told a publication.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were finished only days before Ball died. It is due for release in Spring 2026.

By

Teresa Garcia

A professional poker player and strategist with over a decade of experience in high-stakes tournaments and online play.

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